Global Citizen Journey

Thanks to Honor Moorman at Asia Society for sharing this incredible film by Mark Gerzon, Dale Pfeifer, Simon Fox, Stephen Marshall and linechecker.tv.  I am particularly moved by the recognition of what humanity shares–from planet to possessions to our very genes.  This is a must-watch, and a great PD resource for global educators. I

PBL’s Eight Elements through a Global Lens


Buck Institute for Education @ bie.org

When we talk about 21st Century Skills in the context of global education, we are still talking about the 3 Cs of Critical Thinking, Communication and Collaboration. Critical thinking in a global context means being able to understand why cultures have the habits or needs they do, and learning to ask the kinds of questions that allow us to understand and connect to a more diverse range of global perspectives and experiences, rather than judging or rejecting them. Communication in the global context is about learning foreign languages—not teaching kids toward test proficiency but toward spoken skills. It is also about learning to navigate language differences and still be able to connect, as no one can learn every language they will potentially confront in the world. Collaboration in global education focuses largely on developing collaborative projects with young people in other parts of the world, or sharing projects across physical and cultural borders in classroom-to-classroom global partnerships.

We do need to add a fourth and fifth C when we consider 21st Century Skills in the global context, and those are Cross-Cultural Competency and Creativity (though I’m quickly becoming a fan of Inter-Cultural over Cross-Cultural, given that people cross multiple boundaries simultaneously in most career fields today). Defining and teaching toward inter-cultural competencies is the heart of global educational work. Creativity helps us foster the young innovators the world so desperately needs, young people who will find new solutions to the world’s oldest problems if we use PBL in our classrooms now to inspire and empower them as divergent thinkers.

Significant Content in Global PBL means ensuring that global experiences are authentic and transformative, not superficial or judgmental—which suggests as well that students should be exploring real-world issues and problems more than simulating them. There is a lot of controversy around creating simulations in global education, and many educators feel that simulations are never as valuable as real-life global experiences. However, depending on your age group, simulations may be a necessary first step toward real-world experiences—and as long as the simulation deals with real world issues in authentic ways, it will still be authentic global learning.

In-Depth Inquiry can include gathering global perspectives through personal learning networks (PLNs) and online global resources, as well as through internationals in the local community. In global education, it is important to stress primary source research, legitimizing it alongside scholarly research as a tool which more deeply humanizes how students see and understand the world. High school teachers, especially at the higher grade levels, may find it challenging to weave primary source experiences into academic courses such as AP, where the focus is consistently on scholarly resources, but both PBL and global education suggest that primary sources have an effect on students which far surpasses the academic (just as a student will remember his/her home-stay family better than anything s/he studied about the region s/he traveled to).

In global learning, a strong Driving Question needs, whenever possible, to focus on a problem and to invite multiple solutions. More than that, a good driving question should require an answer for the wellbeing of humanity and the planet (a natural way of developing that Need to Know which will drive the inquiry). Mind you, not all projects can be driven by a question with profound depth and purpose, but even small tweaks toward a solutions orientation (aka Problems- or Challenge-Based Learning) can make the experience more transformative and empowering for students. Just like a good thesis bites into something important, a good DQ has an edge and purpose which motivate kids to care and make a difference. Remember, too, that the real world role you give students will help define what real people do with these kinds of skills and knowledge, helping students hook into their passions, interests, and potential career fields.

  • Flat Global DQ: What is human trafficking, and where is it happening in the world?
  • Global DQ with Teeth: How can we, as representatives of the various nations involved in and/or impacted by human trafficking, collaborate to end the practice?

Public Audience offers the opportunity to draw in local immigrants throughout a project, people working at global NGOs in the local community, and even local policy makers, not to mention the international individuals and organizations which can be brought into the classroom quite easily through even the simplest video conferencing technologies. A public audience can also be found through online platforms which have an embedded community, where students can post work, give and receive commentary, blog and publish, and participate in discussions with students around the world. Most people doing important, constructive work in the world are frankly desperate to see more young people dedicate their lives to these fields—you’ll be amazed how willing most are to get on Skype and talk to your students for an hour.

Global PBL fosters Student Voice and Choice by empowering students to explore the global issues they are most passionate about and to take action to solve those challenges. By providing significant opportunities for choice in the classroom and voice in the broader community or world, we allow students to grow as empowered young innovators who hold the solutions to our most pressing global problems. We aren’t just fostering future leaders–students are ready to be leaders now, and a transformative global classroom will facilitate and support multiple opportunities for students to step up and take constructive action.

We also need to be willing to be surprised when students come up with something different than we expected, as the divergent, innovative thinkers often will when given the room to grow—and we need to get comfortable seeing this as a good thing, not a bad thing. After a long history filled with condemning the different thinker and often disenfranchising—or even institutionalizing—our most divergent thinkers, it is time to nurture their gifts and foster them toward lives of constructive purpose. Much of this can be done, very simply, by more profoundly honoring their voices and outside-the-box perspectives.

In my personal opinion, the world can only become a better place for our nurturing the most bizarre ideas our students offer, particularly if they have the potential to offer us a whole new set of solution to the world’s oldest, most pressing problems.

La Última Canción




La Habana, Cuba.
Click here to see Jennifer’s full Cuba blog from 2007

“It is trust that opens wide the heart, 
without the longing of 

–Mark Turner

The late afternoon light was yellow and sharp, every brick and stone standing out against the deep blues of sea and sky. I wandered with nothing particular to do or see once the heat was bearable, exploring the backside of a remote town called Baracoa. It is a town just beginning to feel the impact of increasing tourism as roads get better and travelers get more adventurous, more willing to spend twenty-plus hours on a bus to get to the farthest reaches of Cuba. I wasn’t in the touristy section of town; I’d wandered into purely Cuban neighborhoods where the streets were too narrow for a car to pass easily. The streets were pretty desolate; at ten that morning they’d been bustling with shoppers and people walking to and from work, school and markets, but by late afternoon everyone had gone home to enjoy the waning heat and the touch of evening breezes coming in off the ocean.

I was photographing a paper dove stapled to a doorway, the words“contra el terrorismo / against terrorism” handwritten on its warping surface, when I heard the singing. At first I thought it was a woman; the voice was a loud and clear high tenor, powerful and resounding in the empty street. I followed it, but hesitant to intrude I ended up skirting the block before I mustered the courage to approach. The song drew me to a small cement patio outside a simple cinder-block home in the middle of a block, a patio crowded with adults and children of all ages, nearly all afro-cubanos gotten up in their nicest clothes to gather around the singer. It wasn’t a woman; a young man around 25 was belting his heart out as he strummed intensely on his guitar. I could see his neck straining and I imagined my father saying how he’d blow his vocal cords out in no time, but it was worth it to listen in that moment, to get to hear such talent so accidentally.

I leaned back against the building across the street from their patio. They saw me at once, and I smiled widely and tried to make myself infinitely approachable, the kind of person anyone would trust with their children. Within minutes, they were inviting me onto their patio and into their festivities. I tried to refuse the rocking chair given up by a woman 20 years older than I, but as the honored guest I was goaded until it seemed far more polite to accept. It was a birthday party, it turned out; the old woman on the rocker in front of me was turning 90. Someone came around with a tray of shot glasses filled with a thick white drink; it was sweet and strong, going straight to my head and relaxing me into the rocking chair immediately.

The singer finished a song and made as if to leave his seat, but the crowd insisted on another, blocking his path and pushing him back down with friendly but insistent hands. Another song for the birthday girl. And then something happened I’ll never forget. The singer began, and the song he chose, I’m not sure why, was a beautiful ballade all Cubans know called “La Ultima Canción/The Last Song.” The song was written by a celebrated Cuban musician named Polo Montañez, who was killed early in his career by a drunk driver and who is still mourned by all Cubans. It’s a beautiful and popular song, mind you, written shortly before his death, but I immediately worried about the choice. The refrain is the most famous line: “El ultimo momento de mi vida debe ser, creo que debe ser romántico. / The last moment of my life should be, I believe that it should be romantic.” Many adults began singing along, and the patio came aloud with the sound. I started singing quietly as well, and I received smiles and impressed nods that I knew the words. But my eyes were on the birthday girl, the old woman of nearly a century whose eyes had filled with tears. No one else noticed until after the song ended and the young musician successfully fled, but she was weeping silently through every word.

Her family gathered around her the moment they realized, of course. She was lovingly coaxed out of her claims that she was useless to them and nearer her end than anyone wanted to admit openly. They calmed and soothed her, a woman who looked like her smoothing back the old woman’s white hair. Her lovely grand- and great-grand-children lined up to recite poetry which they’d memorized for school. The kids kept looking over at me every time they said yanqui, and everyone started laughing and cheering again. Often patriotic and evocative of the Cuban landscape and revolutionary spirit, the poems made the birthday girl smile just a little, though she was still wiping at her eyes twenty minutes later.

I am always amazed by the moments when strangers let me into their lives so fully, when I see the raw and authentic wounds of the human experience open before me. It’s painful to live with one’s eyes open and one’s heart prepared to by changed by the truth, another truth, someone else’s real and delicate experience. It’s painful to grasp life by its guts and pull them up close for a look, and that’s exactly what happened to the old woman, exactly what happened to me because I was privileged to bear witness to her moment. But just as there’s nothing more tragic than an old woman crying about death on her 90th birthday, there’s nothing more beautiful than a community coming together in the darkening light to honor a life well lived and to share a little common ground with a stranger in the gentle breezes of early evening.